Sunday, June 3, 2007





Cheeni Kum

By Subhash K Jha

Starring Amitabh Bachchan, Tabu, Paresh Rawal, Zohra Sehgal, Swini Khara
Directed by R. Balki
Rating: ****

The incandescent Tabu makes her 'bitter'-half in this sweet-and-slender confection, run across the London fields… "Just to see if you've the energy to do anything after we get married," she tells him her tongue firmly in cheek.

Check this out.

Cheeni Kum is probably the sauciest, sassiest, slickest, smoothest and most scrumptious romantic comedy you'll see in the Hindi language in a long time.

She's in London for a holiday. He is a cantankerous sarcastic chef who can't take a snub even when it's served up on a platter.

Menu rab da vaasta!

Lolita, go eat your art out. Cheeni Kam makes you forget there's a difference of 30 years between the girl and, ahem ahem, the boy. That's the magic of pure acting. The magic of two of the finest actors at work as they create an ebullient alchemy.

On the menu in this mellow ode to love's luminous largesse are an 85 -year old mom (Zohra Sehgal) living life king-sized, a 7-year old terminally-ill girl (Swini Khara, the most prized discovery of the year) who watches claims the chef as her very intimate friend and watches all the adult DVDs he gets her, since she won't get a chance to do so later.

Then there's heroine's Gandhian father who can't stop reminding his damaad-to-be of his autumnal age. And last but certainly not the least in this feisty feast, there's the churlish chef's kitchen staff comprising some of the most sparkling cameo-actors you've seen.

Unarguably one of the finest directorial talents in this millennium, Balki just sweeps that age thing under the carpet.

Yes, the dialogues make pointed barbed references to what it's like for two such generation-challenged people to come together and laugh at each other's foibles.

It's hard to decide in which capacity Balki scores higher marks… as director or dialogue writer. Caustic and crisp, mordant and modern, pithy and passionate….the words weave a minty magic across this intelligent yet spontaneous comedy of romantic errors.

Shakespeare meets Gulzar in this evocative and funny love story.

The flavour of the exchanges between the wry surly chef in London and the serene Indian girl from Delhi who makes the cardinal mistake of criticizing the arrogant chef's Hyderabadi biryani, is so distinctly pungent and peppery you wonder which came first in the writer-director's range of vision: the mix-matched couple or the words that they exchange to bring each other closer to that feeling which we sometimes call love, sometimes don't even recognize it for what it is.

Just like the dishes from the kitchen of the Indian restaurant where some of the satire unfurls, the brilliant banter between Bachchan and Tabu is light on top, cooked just right and served at ummmmmmmmmm temperature.

In the first -half cinematographer P.C Sreeram captures an unexplored side of London. As the relationship between the couple grows, you sense undercurrents of feisty defiant and mischievous feelings trickling out of the verbal banter that you until now thought existed only in the range of the unspoken.

But then Mr Bachchan and Tabu are that kind of actors. They imbue every encounter on the rain-slickened streets of London into an occasion to celebrate the life force.

Tabu is a natural-born scene-stealer. She more than meets her match in her co-star.Is there no end to the surprises Mr Bachchan springs on us periodically? To imagine Cheeni Kum without Bachchan is to imagine that pivotal Hyderabadi biryani that brings the couple together, without the saffron..or any other flavour for that matter.

This intimate, amusing warm and utterly beguiling intimate character-study of love and its sudden appearance in lives that have accepted its non-presence, derives considerable energy from the supporting cast.

Not Paresh Rawail who as Mr Bachchan's outraged father-in-law –to-be is surprisingly bland, but Zohra Sehgal as Mr Bachchan's spunky mother and more specially, little Swini Khara as Mr Bachchan's nextdoor neighbour who in her terminal illness provides the narrative with the gift of life….grab the lapels of your heart and sweep you into a world of love's most satirical fears and foibles.

There are moments in this quirky captivating and curvaceous cinema that touch the highest notes of drama without getting hysterical.

What makes Cheeni Kum so unique? Is it the amazingly laidback chemistry between the lead pair? Is it the combination of satire and romance, mixed stirred and served up in a tall frothy glass? It is Balki's word-spin that takes the romance into areas of absolutely seductive brightness?

Is it the the way London (mellow, supple, sensuous) and Delhi (heated grimy and spiced up) have ben captured by Sreeram's calmly articulate cinematography? Or is it Ilayaraja's talcum-fresh melodies trickling emotions in austere motions?

What makes Cheeni Kum so special in spite of a far-from-flawless second-half?

Could it be just the magic between Amitabh Bachchan and Tabu who seem to look into each other's eyes and souls with such warmth and affection you forget their age difference completely.

Nah! It's more. Cheeni Kum is a film where the words so match the thoughts and feelings of the characters that you forget someone else wrote the dialogues for the unlikely lovers.

Neha Dhupia is Blacklisted forever








by Subhash K Jha

Sanjay Gupta seems to be constantly losing his cool with the women around him. The latest victim of his wrath is Aarti Chabria who has triggered off yet another controversy.

"We already had three cases against our film. Now today we've the fourth. Thanks to Ms Chabria's unthinking statement, the real-life bar girl Tarannum has taken us to court. Aarti went overboard claiming she researched her character on the real Tarannum.

So the real Tarannum who must have been a schoolgirl when the actual shootout happened in 1991, thinks Aarti's character is based on her. Was the real Tarannum dancing as a school girl? I admit Aarti is named Tarannum. And she's a bar girl."

Sanjay Gupta has blacklisted Neha Dhupia from his production company White Faeather. "Her conduct has been thoroughly unprofessional. When we needed her here to promote the film with the rest of the cast she left us in a lurch to strut at some fashion parade, in spite of being given dates and schedules."

Reacting to accusations of bad behaviour with Neha, Sanjay protests, "I'm not capable of behaving badly with any woman. I don't swear and abuse when women are around, forget raising my hand. I'm much too conservative in my attitude to women.

I was very clear in my dealings with Neha. I've completely cut her out of my life and profession. I haven't been taking her calls. She won't work for us again. I know it's no loss for her.And it's no loss for us either."

Another lady. Another controversy.

"You mean Mandira Bedi? There's no controversy there. She couldn't do Alibaug because our dates kept getting shifted since June last year."

As for rumours of his involvement with Ms Bedi, Gupta is pretty much in the dark about their whereabouts. "Mandira and I pretty much hung about in the same group. I'm very grateful to my well-wishers for giving me a girlfriend every day. But it's affecting my efforts to woo my wife back."

To stay away from the womanizer's reputation Gupta has stopped partying and socializing. "Though I love my drinks I don't go out with women any longer. The other night I was out with pals Rohit Roy and Suddhanhu Pande. We went to a club where they played retro music, had our drinks and came home quietly."

So far Gupta has only been able to convince his wife for an occasional lunch, or to accompany him on a road trip to Pune to promote Shootout At Lokhandwala.

"She hasn't budged from her stance to stay separately. She did come with us on the bus to Pune to promote Shootout…We had great fun playing dumb charadeand antakshari"

At Pune the entire cast and crew had to sing.

"Aanchal Dutta who's singing extensively in my films (and mark my words, this girl is going to be a huge singer) led the singing party. But all of us including Diya Mirza and my wife Anu took a turn at the mike.

All the boys –Rohit Roy, Vivek, Tusshar and Shabbir—sang the entire Ganpat song together. Then we danced till 4 am. My wife of course retired early."

As for Chota Rajan disapproving of Shootout. "He hasn't seen the film. Nobody has. Let me clarify. All the characters except Sanju Dutt's, are fictionalized. I'm just sitting back and quietly enjoying the tamasha."

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